Sunday, 27 January 2013

Downland Relief and Headland abstraction

I have been able to spend a little more time on my artwork since the start of the New Year and having focused on smaller abstracts I decided to produce my first relief for quite a while.

This new relief 'Downland Snow' was inspired by the recent weather we have experienced here in Dorset and I have used a plain light oak wood finish to the frame to compliment the tones and textures.






I have also finished 'Headland Blue' which was started when I was at Portland Bill and in this piece I have tried to capture the essence of the heavy seas breaking on the headland rocks at dusk.






For more images and details please feel free to view the pieces in my eBay shop by clicking on this link



Wednesday, 16 January 2013

New work January 2013

I am happy to present two new works in completely different styles.

For the first 'Edge of  Dunes' I have set it floating in a boxed mount with grey background within a real wood frame finished in chalky lily coloured paint.


For the second I have borrowed the style of George Dannatt whose geometric style lends itself to creating an interesting Landscape abstraction.

The piece is set in a real wood shallow box frame behind glass.


For more details please click here

Friday, 11 January 2013

Wednesday, 2 January 2013

Down at the Coast

A happy New Year to one and all.

During the Xmas and New Year period I was fortunate to be able to spend time down at various parts of the Dorset coast irrespective of the weather.

I started a number of sketches on wood board which I am now completing before other work commitments take over my time.

I have maintained the smaller format of artwork set in box frames and pursue the 'abstract expressionist' style with textured layers to the surface.

Please click here for more details.









Monday, 24 December 2012

Wednesday, 12 December 2012

Studland Dunes Triptych

My last offering of the year is this - 'Studland Dunes Triptych' - which is an initial ideas painting to support a commission - though these three are postcard size - mounted behind glass the commission will see them at 4' x 3' each and will hang in the home of a customer who has a lovely property overlooking Studland Bay.

I have made this for sale at an attractive Xmas offer so please click here for more details



Monday, 10 December 2012

A Merry Xmas and a great New Year

I thought I would make one last blog post for 2012 and wish all my followers and customers a merry Xmas and a great New Year.

Once again your positive support of my artwork has been exceptional and despite having to reduce the time I spend on it I have been keeping my hand in with a few smaller pieces which have been well received and who knows one of the few remaining might just make a great Xmas present!


I look forward to a great 2013 and hope to blog in the New Year.








Monday, 3 December 2012

Thursday, 29 November 2012

Coastal Rocks

Here is my offering for this week -  I continue to experiment with a looser use of the materials leaning towards the liberal and enjoyable abstract expressionist style and maintaining the smaller size of painting, please enjoy.





Coastal Rocks


Autumn Forest


Landscape Storm

For more details click here


Friday, 23 November 2012

Bob Crossley

Bob Crossley
Abstract painter whose work was inspired by his love of the Cornish landscape


When the abstract painter Bob Crossley moved from Rochdale to St Ives in 1959 he brought with him a solid reputation gained in the lively Manchester arts scene of the 1950s. He was essentially self-taught, his Manchester pictures based on figure or industrial landscape motifs. A degree of realism was subsumed by brisk, expressionistic paint-handling that gave his pictures avant-garde currency.    

The irresistible Cornish landscape did not prevent the inevitable slide – or ascent – towards abstraction, the mode that dominated post-war St Ives art. In response to the work of Peter Lanyon, Roger Hilton, Terry Frost and many others which he encountered in St Ives, Crossley's painting increasingly expunged references to the external world and preoccupied itself with purely technical and painterly issues. During the 1960s and beyond, therefore, Crossley's vividly coloured and assertive pictures contributed to the power and energy of the St Ives "school".




Despite its long history as an artist's colony, however, St Ives and Crossley maintained a professional distance. Patrick Heron, in spite of also using a Porthmeor studio, had little contact with Crossley and did not use his influence as a critic to promote the northerner's work. Crossley did, however, follow Lanyon, Bryan Wynter and others in exploring nature fully, in his case skiing on Alpine slopes every winter.



Informed by such exhilarating experiences, Crossley's work contributes to the raw experience based energy of modern St Ives painting. His reputation will therefore be tied enduringly to the only genuinely popular abstract movement British art has produced.

Please click here to view a short documentary on the artist


Visit Belgrave Gallery St Ives site for more work by the artist




Wednesday, 14 November 2012

Nicolas de Stael



Nicholas de Stael was a French painter known for his highly abstract landscape painting created using thick layers of paint. A dedicated artist who lived for painting, de Stael achieved both wealth and fame in his life time.

Nicolas de Stael was born on Jan. 5, 1914, in St. Petersburg, the son of a wealthy baron. Nicolas's mother encouraged him to draw and paint at a very early age. In 1919 the Russian Revolution forced the family into exile in Poland. Within 2 years his parents were dead, and Nicolas was sent to Brussels to study humanities. In 1932 he entered the Royal Academy of Art there.

In the 1930s, he travelled throughout Europe, including Spain, Italy, Morocco, and Algeria eventually settling in Paris in 1938.

In 1941, he moved to Nice where he met Jean Arp, Sonia Delaunay and Robert Delaunay, and these artists would inspire his first abstract paintings

During the late 1940’s and 50’s de Stael had considerable commercial successes both in Europe and the USA. At the same time he was suffering from exhaustion, insomnia and depression and on March 16, 1955, he committed suicide in Antibes.







As I have limited time to dedicate to my art I am producing some smaller lower cost pieces which to date have been received exceptionally well and I thank my customers who continue to support my work.

Below is a new piece which I have kept close to the style of Nicholas de Stael and feel free to click on the link to view more images and details.